With the summer season upon us we heat things up with Ministry of Sound's brand new, champagne spraying, party album. (The album title notwithstanding, these are almost all studio recordings, though Sarah Vaughan's "Don't Blame Me" is an Aircheck that the compilers seem to have borrowed from the LP Dizzy Gillespie '46 Live at the Spotlite, originally released on the Swiss Hi-Fly label.) The result is an album perhaps less interested in chronicling the most popular music of the mid-'40s than in anticipating later trends. With the exceptions of the two Louis Jordan tracks, the R&B and jazz material does not feature any hits, but it does feature the likes of Nat "King" Cole, Champion Jack Dupree, Sarah Vaughan, and Arthur "Big Boy" Crudup, the last introducing "That's All Right," which Elvis Presley later covered for Sun Records in an early example of rock & roll.
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There are also titles from the country charts (Bob Wills' "Roly Poly" and Merle Travis' "Cincinnati Lou"). As usual, some of the biggest hits of the era are included in their original recordings by some of the most popular recording artists, notably Les Brown's "You Won't Be Satisfied" (credited to singer Doris Day) and Dinah Shore's "Doin' What Comes Natur'lly." In fact, half of the tracks were pop chart hits. While previous volumes have included the occasional early country or R&B track, this one integrates such selections prominently, making for a varied mix of music from the period 1945-1946. Le Piccadilly, dating from 1904, displays a lot of similarities with the compositions of Scott Joplin.The 12th volume of the 15-CD box set The History of Pop Radio released by the History label of Germany marks a big change from its immediate predecessors in the series. It is clear that, as with Milhaud (La Création du Monde) and Debussy (Golliwogg's Cakewalk Le Petit Nègre), it is hard to deny obvious influences of jazz music in Erik Satie's compositions. In this suite it is meant as a restful intermezzo. The Rêverie (De l'Enfance de Pantagruel) is an extract from Trois petites pièces montées, originally composed for small symphony orchestra. When his flat in Arceuil was cleaned out, a small notebook was discovered behind his piano and it contained the manuscript which was assumed to be lost forever. Satie himself thought he had lost the manuscript in a bus. Marche: Le Piccadilly (1904) It was only after Satie's death in 1925 that the manuscript of the piano piece Jack in the Box was recovered. Rêverie (from: Trois petites pièces montées) III.
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Johan de Meij made an orchestration of three short pieces by Erik Satie: I.
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Satie co-operated with almost all great artists of his time: Pablo Picasso, Jean Cocteau, Sergej Diaghilev and Georges Braque and the composers Darius Milhaud (Le Groupe des Six) and Claude Debussy. However his piano pieces, such as Trois Gymnopédies or Gnossiennes will remain his most popular compositions. Besides light-hearted, entertaining works he also wrote several serious compositions, among which the three ballets: Parade, Relâche and Les Aventures de Mercure.
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He composed in various, often quite divergent, styles. Erik Satie, born in Honfleur in Normandy (France) in 1866 is undoubtedly one of the most striking personalities in the history of French music.